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Vocal Range

Eb2 ~ D6 (iii octaves, 5 notes and i semitone)

Supported Range

C3 ~ C4/C#fbf4

Voice Type

Tenor

Strengths/Achievements

• The strongest sense of breath support amongst all members of BTS
• Able to remain most relaxed inside his comfort range
• Able to transition into his falsetto with relative ease
• Mixed vox is lite and lacks pushing, non trying to sing besides high with likewise much throat tension
• Able to remain relatively relaxed up to C#4 and at times even D4
• Sense of pitch has improved since debut
• Sufficient back up is maintained down to C3 in his chest vocalization

Points for Improvement

• Tends to sing with also much airiness
• Support is shallow and underdeveloped
• Tends to lower his larynx too often when singing
• To a higher place C#iv, he tends to audio harsh and flat
• Tone production often becomes flat due to lack of forward placement
• Lower range is relatively underdeveloped
• Unable to support his head voice
• Falsetto is oftentimes too airy and lacks project

Registers

• Lower register: Due to the range in which BTS' music is written in, he gets very few chances to showcase the true evolution of his lower range. Thus, his vox is relatively underdeveloped in his lower range, where his tone production becomes muffled every bit he sings beneath C3.

• Mixed annals: His mixed vocalization is relatively light in terms of mixing, where he uses more head vocalisation than chest voice when singing higher to minimize the corporeality of effort and strain on his vocal cords. Although able to sing to a higher place his first passaggio, his support is somewhat shallow and he tends to become tense to a higher place C#four.

• Upper annals: Able to transition into his falsetto with relatively ease, his overall tone production is airy throughout virtually of his vocalization but becomes fairly obvious equally he sings in his falsetto. Able to produce a connected head vocalism even though support isn't present.

Agility

Drawing less influences from R&B than many other idol vocalists in K-pop, 5 generally sings with an blusterous arroyo throughout his range and doesn't often endeavour singing vocal runs. The airiness in his phonation makes it harder for him to be able to connect his song cords properly and control his pitch. This results in often sloppy runs when he does attempt them, in rare occasions. Mayhap enlightened that his vox isn't necessarily very active, as he lacks the correct muscle coordination to sing and bounce through different notes quickly, it is difficult to find examples of V attempting vocal runs. The few times he's done so, information technology's possible to hear that he lacks clarity in tone and often sings runs by sliding through the notes chop-chop, without hitting each individual pitch precisely at the center of the note. This causes his runs to sound sloppy and pitchy overall, as heard in "Sorry", "Little Star", and "듣는편지."

Overall analysis

Five debuted every bit a fellow member of the song line of BTS in 2013. Although not the principal singer, the distribution of lines was fifty-fifty enough that he sang relatively often regardless of him being a pb vocalist or not. In most cases, idol groups favor vocalists with higher voices because near idol songs are written within quite high ranges, for males and females. Thus information technology is more than common to see a master or atomic number 82 vocalist of a group be a tenor or a soprano. In BTS' case, V's voice stands out considering he is the but low tenor singing with other three tenors in the group, with every rapper in BTS is a baritone. His voice is thick in tone and slightly lower range, but withal remaining relatively low-cal in weight and sounding more similar a lyric baritone than anything else at first merely with further inspection, the actual tessitura of his voice seems to lie slightly above a lyric baritone and below a lyric tenor. Most likely we can assume he is a low tenor, dramatic or baritone, which won't be clear unless we're able to hear his vocalization develop more technically. Although mostly written for a lower tenor range, BTS' music is written within a relatively depression plenty range where V is able to sing alongside the lyric tenors without too much stress on his vocal cords.

Because most lyric tenor songs generally are written in a higher place C3, 5 every bit a lotw tenor gets very few chances to actually sing in a more depression tenor range most of the fourth dimension. Thus his lower range below C3 is mostly underdeveloped and non very well explored, as he doesn't sing that low very often. Down to C3, he has shown a articulate enough consistency of tone production and project, where both his song cords and his support work together to allow his chest vocalisation to project with decent tonality. This tin exist heard in "안아줘", "Oh Happy Day!" and "Someone Like You." Beneath C3, however, he starts to lose connectedness and support, every bit his voice starts to become more than muffled and breathier. This seems to be because his vocal cords aren't adult enough every bit he sings lower, and so his tone becomes less clear as he'due south unable to project and place his voice in his chest equally hands as above C3. This can be heard in with the Bb2's in "If Y'all", A2'due south in "안아줘", G2's in "Let Me Know" and the octave unison E2'southward in "Someone Like Yous."

His mixed vocalization is relatively well developed in terms of mixing and has enough support for him to exist able to sing above his starting time passaggio, B3, without tensing upwards his throat also much. The range from C4 to D4 can be sung with some support as he'southward able to remain relaxed and not sing only from his throat. This can be heard in "바람인가요", "듣는편지" and "안아줘." As he ascends above D4, he tends to utilise a very light mixed voice which is mostly head dominant, which allows him to push his voice with less tension than if he were to use a heavier and louder chest-dominant mixed vocalisation. Nonetheless, the lack of back up above D4 causes him to sound shallow and thin the higher he sings, every bit his voice becomes also low-cal and oftentimes he can sound somewhat flat when singing above his comfort range. He tends to sing with a soft approach, only tension is even so present in his throat as he'due south unable to connect his jiff support to his vocal cords in order to maintain his throat opened. This can be heard in the D4'south in "Something", Eb4's in "눈, 코, 입", E4'south in "If I Own't Got Y'all", "Someone Similar Y'all", F4's in "I Need U", "If Yous", "Butterfly", F#four's in "Let Me Know", "Love is not Over", G4'southward in "Blindside Blindside Bang", "안아줘" "눈, 코, 입", "이사" and Grand#iv'due south in "잡아줘."

His upper register mostly consists of a falsetto, with occasional moments where he'due south shown the power to use a head voice. Most of the fourth dimension his vocal cords aren't fully connected and he sings with excessive airiness, which causes him to sound thin and soft in his upper register, by and large associated with a falsetto voice. Although relaxed to an extent, a falsetto is not a register where true support can exist present. Support would only be truly nowadays if he were to utilize his head vocalism properly, however the few times V has shown a head voice have shown that he has issues with maintaining the connection of jiff back up with his song cords, where he instead pushes too much air against his song cords instead of allowing them to produce his head voice with their ain forcefulness and evolution. This results in a caput vocalization that lacks control, by not being relaxed nor supported. This can be heard when contrasting his falsetto in "듣는편지", "House of Cards", "눈, 코, 입", "Butterfly" and "Miss Correct" with his caput voice in "How Am I Supposed to Live Without You." Interestingly plenty he is the but member of the song line to be able to push his head voice all the fashion upwardly to the sixth octave, higher than any of the tenors. This can be heard with the C6 in a high note battle during a fan meeting likewise as the D6 in a more recent fanmeeting.

One of Five'southward main issues actually come from his tendency to button his larynx downwards when singing and non fully maintaining his vocal cords connected throughout his range. When your vocal cords aren't fully connected, a lot of air can laissez passer through causing the singer to sound breathy and soft. Stylistically this can piece of work in many cases, just training yourself to only be able to sing that way tin cause the vocalist to limit their song development. If the vocal cords don't fully come up together when singing, the vocalist volition exist unable to allow their vocal cords to get stronger and develop in terms of volume, range and muscle strength.

Adding onto this, V commonly favors lowering his larynx and opening the back of his throat a lot more than than necessary when singing even inside a relatively high range. Most of the time, Five's voice can be perceived as quite deep but really when a vocalist pushes their larynx down, it alters the natural tone of their voice and causes their phonation to sound much deeper than it really is. This is often a stylistic approach used in soul music, that tin can exist turned on and off at will. Notwithstanding for 5 it's either this approach, airy and overly opened in the back of throat while not fully relaxed, or a harsh growly approach. Simply having two options can be limiting to a vocaliser if they're unable to grasp breath support fully still. Since V tends to push the sound of his voice in the dorsum of his throat a lot, the direction of air from his vocalism isn't properly placed in his nasal cavities, which makes it harder for him to understand mask placement and project his phonation. As such, he tends to sound slightly flat in tone production the higher he sings due to defective a good connection of proper breath support, an open up throat and a forrad mask placed audio.

When comparison Five to the other vocalists of BTS, it is possible to hear that both he and Jungkook are the most relaxed out of all 4 of them. They take the least issues with tension and have a relatively decent range in which their voices are more than or less supported, even though support may be shallow. However things can get tricky when comparing a lyric tenor to a lower i, equally being a low tenor and having to sing in the aforementioned exact range every bit a college tenor puts V at a clear disadvantage. Truthfully BTS' music isn't written for a loftier tenor range but information technology is however a challenging range for a lower tenor to be singing in and competing with. The passaggio is where the vocalisation naturally lifts and the muscle coordination becomes slightly different, as sort of a bridge between a register and the next. The kickoff passaggio is the transition from breast vox to mixed vocalisation, while the second one is from mixed vocalism to caput vocalisation. A lyric tenor's passaggi are ordinarily around D4/Eb4 and G4/Ab4, while a lyric baritone's passaggi are B3 and E4. V'southward passaggi would lie somewhere in between those.

If V were to sing the same song as Jungkook for an case, but the key was changed to suit his voice as a depression tenor, he'd be able to handle singing to a higher place his first passaggio slightly improve than Jungkook would. And then the only true divergence betwixt them is that V has a slightly better grasp of breath support. However given the fact that Five can't but change the cardinal of every BTS song at that place is to accommodate his vocalization, he has to sing in the same exact range as the other three tenors. So naturally within the range that these songs are written in, Jungkook is the most qualified fellow member to handle singing their repertoire. If V were to look into more solo singing opportunities, understanding his own phonation blazon and embracing the true tone of his voice could help him develop his voice better as a dramatic or spinto tenor if he could sing in a range that'south natural to his vocalisation. For future improvements, working on further developing connectedness between his song cords to be able to handle more dynamic changes, while developing his breath support could help 5 develop his vocal technique better overall. However for the time being, his current skill level is adequate for the type of music he sings.

Musicianship

V is non much of a adventure taker when it comes to his vocals and singing. He tends to sing with one specific style and doesn't deviate much from that specific audio. He tends to choose either a harsh growly audio or a soft airy sound, which remains the same throughout virtually of his vocal performances. He doesn't ofttimes endeavor to add his own melodic changes to songs and instead chooses to sing songs as they're originally written. When given the gamble however, he does similar to add his ain twist to his vocal cords and is able to blend his voice with others and even himself when adding layers of harmonies to his vocal performances. One example would exist the added harmonies present in his studio comprehend of "Someone Like You lot", where he sang the song in the key he felt was nigh comfortable for his vocalization, adding his own octave unisons and harmonies throughout.

Label (Blazon of Vocalist)

S vocalists: Stylistic Vocalists

C Vocalists: Commercial Vocalists

Song Range Video(southward)

video past: Nosotros Are D-boondocks

Best Vocal Performance(southward)

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Analyzed by Ahmin (Kitsunemale)

rosariofropmed79.blogspot.com

Source: https://kpopvocalanalysis.net/2016/08/04/bts-vocal-analysis-v/

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